A two-dimensional collaborative artwork challenge between plastic art and photography | ||||
| International Journal of Multidisciplinary Studies in Art and Technology | ||||
| Volume 4, Issue 1, June 2021, Page 302-324 PDF (858.15 K) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/ijmsat.2021.188804 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
| Salma Youssef Mohamed Kamel1; Iman Muhammad Al-Saeed2 | ||||
| 1Professor and Head of the Department of Photography, Arvia, Film and Television at the Higher Institute of Applied Arts | ||||
| 2Associate Instructor at the Faculty of Art, MSA University | ||||
| Abstract | ||||
| Subjectivity in art stems from the freedom to embody the artist’s vision that stems from within him and not from the character and forms imposed on him by The outside, and this is what the philosopher Croce sees that the artwork is a free creation whose source is the artist's self, not bound by laws. Subjectivity and subjectivity are a stimulating and active source within the creative process in the movements of modern painting in particular, and it is inherent to it. and transformed as an operating mechanism, due to the transformations in the systems formed for each direction and for each Subjectivity is fixed as a visual concept The concept is intertwined by mixing it up with phenomena, functions, images, and connotations that mediate it with its relation to the invisible through The imaginary and its relation to concepts (ego, soul, mind, self) that overlap in creating a concept that works in different contexts. | ||||
| Keywords | ||||
| two; dimensional; collaborative; artwork; plastic art; photography | ||||
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