دلالات توظيف صورة المرأة في المسرح مسرحية الأكياس الممتلئة "لمروه فاروق" أنموذجًا | ||||
| مجلة دراسات وبحوث التربية النوعية | ||||
| Volume 6, Issue 2 - Serial Number 12, July 2020, Page 315-330 PDF (453.38 K) | ||||
| Document Type: المقالة الأصلية | ||||
| DOI: 10.21608/jsezu.2020.236982 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
| أنعام جمال الدين عبده1; ا.د/ حسن محمود عطية2; ا.م .د/ شيماء فتحي عبدالصادق عبدالصادق3 | ||||
| 1باحثة ماجستير | ||||
| 2أستاذ النقد والدراما المعهد العالي للفنون المسرحية أكاديمية الفنون | ||||
| 3أستاذ مساعد الدراما والنقد قسم العلوم الاجتماعية والإعلام كلية التربية النوعية – جامعة الزقازيق | ||||
| Abstract | ||||
| Abstract: The woman, as drafted and portrayed by many Arab creators, refers to her ideal image closest to the angelic being in which there are many highness, imagination, sacrifice and noble emotions where the woman appears affectionate, soft, gentle, angelic in nature, as if she was worshiped, offerings should be presented as a clearly false image. For women as drafted by many writers Where the cunning woman, or the second perfect picture Women in modern Arab society suffer a lot of alienation. "It is moving today from the era of weak, subjugated and subjugated subordination. To the era of strong and creative subordination. It is at a loss and crisis about mixing the roles in which it was placed. It is required that it use the weapons of liberation and the force used by men, so that it learns, works, independence and protects itself, that is, the woman in Modern Arab society has had three phases of sensory maturity, educational maturity, and economic maturity, and this made them similar to men, yet it is expected that they are subordinate to their husband and their obedience, (and submit to his desires) "as Marwa Farouk drew in the full bags play. | ||||
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