Design Concept for Interior Spaces that Based on the Philosophy of Movies | ||||
| Journal of Design Sciences and Applied Arts | ||||
| Article 25, Volume 4, Issue 1, January 2023, Page 335-347 PDF (2.32 MB) | ||||
| Document Type: Original Article | ||||
| DOI: 10.21608/jdsaa.2022.155446.1208 | ||||
 View on SCiNiTO | ||||
| Authors | ||||
Mohamed Abdel-Mohsen Abd Elkhalek  1; Ahmed Foad Mahdi1; Basma Khalil Khalil Ebrahim2
| ||||
| 1Faculty of Fine Arts, Alexandria University | ||||
| 2Decor Department,Faculty of Fine arts,Alexandria university,Egypt | ||||
| Abstract | ||||
| Cinema has its expressive and artistic value, meaning and influence, and its role is not limited to the aesthetic form, and does not lose the basis of its existence in the various interior spaces of interior architecture. Interior designers reconstruct the reality inside the interiors in accordance with the aesthetic and dramatic requirements of the film. Applications from some cinematic films in the interior architecture of hotels, restaurants and shops have been addressed, as the films consider the expressive aspect of the mechanisms of integrating the design thought of interior architecture where it gives the interior designer the ability to build an integrated design system. The role of cinematic films in changing traditional patterns has emerged to achieve extraordinary internal spaces by adding artistic, sensory and technical influences specific to art to cinematic films, to reach internal spaces that are out of the ordinary, based on their role in enriching the artistic and functional context of interior architecture, as well as the role of cinematic film applications in various interior architecture. | ||||
| Keywords | ||||
| Interior architecture; Movies; Role of the designer | ||||
|
Statistics Article View: 195 PDF Download: 542 |
||||
