SUBLIMATION PRINT AS A CREATIVE MEDIUM IN CONTEMPORARY INSTALLATION | ||||
| Journal of Arts & Architecture Research Studies | ||||
| Volume 4, Issue 7, June 2023, Page 162-180 PDF (1.11 MB) | ||||
| Document Type: Specialized scientific research papers | ||||
| DOI: 10.47436/jaars.2023.203324.1138 | ||||
 View on SCiNiTO | ||||
| Author | ||||
Mohamed Eid Ahmed Ali Habib 
| ||||
| Graphic Department – Faculty of Fine Arts – Helwan University | ||||
| Abstract | ||||
| The artists followed many methods in processing the printing techniques, some artists employed them to reflect their philosophical thoughts. Thus, many presented works depended, considerably, on the philosophical vision and the conceptual content, even at the expense of the visual artistic vision and the constitution of the artistic work, which is termed as the conceptual art that is regarded a main source for the arts of post-modernism period. This artistic trend emerged firstly in America and Europe by the late 1950s, then prevailed the world. Some argued that using the new technological inventions reduced the executive stages of the artistic work and enabled the artist to get over the problems of implementation and the other issues in order to sail freely throughout his philosophical thoughts. During the time of developing the artistic installations, some objections were found that refuse the singularity of these works, so that the artist of installation sought to the possibility of achieving the process of reproduction, as installation found to be the best artistic form to achieve that. Thus, they combined between installation and printing, as installations were designed as unique experiences. But now, by the presence of installations based on printing arts, especially sublimation printing, the installation gained the feature of multicity. Thus, many options could be offered for the same installation to be displayed in different places and times. Thus, the stimuli varied, and the most important was the various forms of prints during 21st century. | ||||
| Keywords | ||||
| Sublimation; Installation; Graphic arts | ||||
| References | ||||
|
Hassan, Reem Ahmed: “Visual Arts and the Effects of Technology (Video Arts and Performing Arts)”, published research, Philadelphia University Conference XII under the title of image culture in the period from 24 to 26 April (2007).
Mohtaseb, Maram Saeed Ali: “A Contemporary Vision of Transparency and its Relationship to Emptiness in Contemporary Structural Weaving Art”, Journal of Fine Arts and Art Education, Volume Two, Issue Two, July 2018.
Habib, Mohamed Eid Ahmed Ali ,2020, “Presence and Absence Dialectic in Graphic Arts”, unpublished dissertation of PhD, faculty of fine arts, Department of printed designs, Helwan University.
Websites
(Vasant, kothari, 2015)
(25/12/2022).
Dye Sublimation Printers (pctechguide.com) ( 2/2/2023).
http://www.orithofshi.com/images/Art_in_Print_vol_1_No_3.pdf p . 11) 1/8/2022)
) Ntone , Natasha , 2020).
Retrieved from:Exhibition Review: Christian Boltanski at Centre Pompidou — Contemporary Musings (natashantone.com) ( 15/1/2023).
(Roaro, Eleonora, 2015).
Retrieved from:Fondazione Merz di Torino: Christian Boltanski. Dopo - D'ARS MAGAZINE (darsmagazine.it) (15/1/2023).
(Cheung , Sheryl, 2021)
Retrieved from: John Monteith – Canadian Art) (10/2/2023).
)Gorton, Lisa,2019)
Retrieved from: Apparent distance — IZABELA PLUTA( 10/2/2023)
(Cherry, Kendra, 2022)
Retrieved from: The Color Blue: Meaning and Color Psychology (verywellmind.com) (25/2/2023) | ||||
|
Statistics Article View: 142 PDF Download: 113 |
||||
