PATTERNS OF ARCHITECTURAL EDUCATION IN EGYPT ARCHITECTURAL EDUCATION PROGRAMS AT ASSIUT UNIVERSITY AS A CASE STUDY

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BIOPLASTIC TOWARDS REDUCING CARBON FOOTPRINT AND ENHANCING HUMAN HEALTH IN INTERIOR ARCHITECTURE

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THE DESIGN IDEA BETWEEN FIGURATION AND CONCEPT IN INTERIOR ARCHITECTURE

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BIO-DIGITAL ANALOGY AS A BASIS FOR FUTURE INTERIOR ARCHITECTURE

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VISUAL TREATMENTS FOR FILMS OF MENTAL DISORDER – AN ANALYTICAL STUDY OF THE MOVIE ‘JOKER 2019’

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AESTHETICS OF CHIAROSCURO IN REPRODUCTION ARABIC EPIC FILMS INSPIRED BY GERMAN EXPRESSIONIST CINEMA

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DIGITAL LAYOUT IN FILMMAKING

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SOCIOCULTURAL INFLUENCE ON PERCEPTION AND INTERACTION WITH USER INTERFACE 3D ILLUSTRATIONS (A practical experience inspired by the Egyptian culture)

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SUBLIMATION PRINT AS A CREATIVE MEDIUM IN CONTEMPORARY INSTALLATION

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DRAMA CONCEPT OF USING LIGHTING IN BLACK & WHITE 2D ANIMATION FILM

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A HISTORICAL VIEW OF THE ILLUSTRATIONS OF RELIGIOUS STORIES BETWEEN THE CONCEPT OF DOCUMENTATION AND EXPRESSIVE PRINTMAKING

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“STRUCTURAL VISUALIZATION” DRAWING AS AN EDUCATIONAL TOOL TO DEVELOP INNOVATIVE SKILLS OF ANIMATED CHARACTER CONCEPT

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AESTHETIC EFFECT OF PASTICHE & PARODY IN GRAPHIC ARTS & PRINTMAKING

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THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)

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THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

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CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

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THE CONCEPT OF RESISTANCE IN SOME WORKS OF PALESTINIAN MONUMENTAL SCULPTURE

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TOWARDS SUSTAINABILITY IN MURAL ART

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ETERNAL RETURN: THE RECURRING EMPLOYMENT OF THE GREEK AND ROMAN CLASSICAL TRADITION FOR IDEOLOGICAL PURPOSES IN WESTERN ART HISTORY

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AESTHETIC AND SYMBOLIC VALUES IN THE HERITAGE METAL PRODUCTS OF THE KINGDOM OF SAUDI ARABIA AFFIRMING IDENTITY AND TRADITIONAL INDUSTRIES (A DESCRIPTIVE AND ANALYTICAL STUDY)

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EXPLORING ARTIFICIAL INTELLIGENCE AND ITS FUTURE DATA

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