EKB Journal Management System
1.

(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010)

Pages 10-21
Fatma el Diwany
2.

Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast

Pages 22-39
Hala Ibrahim
3.

Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation

Pages 40-62
Marwa AlKhayat
4.

Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda

Pages 63-81
Mona Al-Shaikh
5.

“We’re Holding our Ground”: Body Politics, Verbal/Non-Verbal Performance, and Dissent Aesthetics in Rafeef Ziadah’s Performance Poetry

Pages 82-100
Amany Elnahhas
6.

The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip (Retracted)

Pages 101-115
Amany El-Sawy
7.

A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions

Pages 117-134
Lubna Adel
8.

The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis

Pages 135-151
Mervat Ahmed
9.

The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View

Pages 152-169
Rania Abdel Meguid
10.

Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave

Pages 170-194
Sarah Shehatta
11.

Language Ideologies: Arabic and English from a Sociolinguistic Perspective

Pages 195-210
Seham Osama