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Volume & Issue:
Volume 2, Issue 1, 2020
1
(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010)
Page
10-21
Fatma el Diwany
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299.52 K
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2
Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast
Page
22-39
Hala Ibrahim
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320.46 K
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3
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation
Page
40-62
Marwa AlKhayat
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1.33 MB
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4
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda
Page
63-81
Mona Al-Shaikh
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247.08 K
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5
“We’re Holding our Ground”: Body Politics, Verbal/Non-Verbal Performance, and Dissent Aesthetics in Rafeef Ziadah’s Performance Poetry
Page
82-100
Amany Elnahhas
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369.34 K
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6
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip
Page
101-115
Amany El-Sawy
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236.71 K
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7
A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions
Page
117-134
Lubna Adel
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1.43 MB
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8
The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis
Page
135-151
Mervat Ahmed
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344.5 K
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9
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View
Page
152-169
Rania Abdel Meguid
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337.28 K
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10
Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave
Page
170-194
Sarah Shehatta
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806.76 K
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11
Language Ideologies: Arabic and English from a Sociolinguistic Perspective
Page
195-210
Seham Osama
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513.22 K
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