Editorial Letter - JAARS - Volume 3 - Issue 6 - December 2022

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THE ROLE OF CULTURAL HERITAGE IN ACHIEVING SUSTAINABLE DEVELOPMENT GOALS TO ACTIVATE THE PRINCIPLE OF SAFETY FOR HERITAGE AREAS AND THEIR SURROUNDINGS

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SPIRITUAL VALUES BETWEEN SYMBOLISM AND SUSTAINABLE DESIGN STRATEGIES OF THE COPTIC ORTHODOX CHURCH ARCHITECTURE

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URBAN CHARACTERISTICS OF ADMINISTRATIVE CAPITAL CITIES DURING THE TWENTIETH AND TWENTY-FIRST CENTURIES

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APPLYING “WELL BUILDING STANDARDS” IN INTERIOR DESIGN OF ADMINISTRATIVE BUILDINGS (A MODEL OF AN ADMINISTRATIVE BUILDING WITH A "WELL BUILDING STANDARDS" CERTIFICATE)

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IMPORTANCE OF TEACHING DIGITAL GAMES' DESIGN PROGRAMS _IN ARABIC LANGUAGE_ AT THE FACULTIES OF ART AND DESIGN IN EGYPT AND ARAB COUNTRIES

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THE FUNCTIONAL AND PLASTIC USES OF PERFORATED METAL SHEETS AND METAL MESH IN INTERIOR ARCHITECTURE

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HOME OFFICES INTERIOR DESIGN AND ENHANCE COMMUNICATION - APPLIED STUDY (HOME WORKSPACES)

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THE EFFECT OF INTERIOR DESIGN ELEMENTS ON CUSTOMER EXPERIENCE IN FASHION RETAIL STORES

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STUDY ON THE APPLICATION OF ECOLOGICAL THOUGHT TO TRANSFORM ARCHAEOLOGICAL PALACES INTO BOUTIQUE HOTELS "Development and Rehabilitation of Qaitbay Agency in Cairo into a Hotel" (Individual Exhibition applied research view)

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MINIMALISM BETWEEN VISUAL ARTS AND PERFORMING ARTS

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THE USE OF GOTHIC STYLE IN THE CINEMATIC SET DESIGN OF THE 1930S HORROR FILMS

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INTERACTIVE SCENOGRAPHY “A STUDY ON ROBERT LEPAGE'S WORK”

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DIGITAL ART'S ROLE IN THE RESTORATION OF LOST IDENTITY SCENES

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“ALIENATION AND ITS REPRESENTATIONS IN GRAPHIC ART WORKS”

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EMPLOYING MONOTYPING IN CONTEMPORARY INSTALLATION

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WOMAN’S MASK: A PERSONAL EXPERIENCE BETWEEN MODERNITY AND CONTEMPORARY

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CAIRO'S IDENTITY IN THE WORKS OF EGYPTIAN PAINTERS “Descriptive Analytical Study”

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THE MECHANISM OF READING, ANALYZING, AND CRITICIZING WORKS OF CONTEMPORARY CERAMIC SCULPTURE

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THE IMPACT OF THE IDEOLOGY OF GLOBALIZATION AND THE CULTURE OF CONSUMPTION ON THE MENTALITY OF THE CONTEMPORARY ARTIST IN THE FORMATION OF RELIEF SCULPTURE IN EUROPE AND AMERICA

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ANCIENT, COPTIC, AND ISLAMIC EGYPTIAN ARTS AS AN INSPIRATION IN ANCIENT AND MODERN WESTERN ARTS

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SYMBOLISM OF SOME PAINTINGS ON KORYEO AND JOSEON CERAMICS FROM THE TENTH TO THE TWENTIETH CENTURIES

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